Phillip Sametz explores Prokofiev’s Romeo and Juliet score, “…one of the most widely loved of the classical ballet repertoire…”.

In the Second Piano Concerto and other creative output of that period, Rachmaninoff displays “…a new assuredness of style…an almost overwhelming abundance of melody,” writes Scott Davie.

“Viridian is the work in which Meale decisively turned his back on modernism,” writes James Koehne.