Iain Grandage is one of Australia’s most highly regarded collaborative artists. His Dances with devils percussion concerto was composed for Claire Edwardes. Read more.
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Inspired by the Greek myth of Prometheus – who angered the gods by stealing their fire and giving it to humanity – the “allegorical ballet” reimagines the figure based on Enlightenment ideals.
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Tchaikovsky’s voice is heard, but the chugging rhythms, precise articulations, spare orchestration – there is not a bar that is not pure Stravinsky.
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Australian-Chinese conductor, Dane Lam, is Principal Conductor of the Xi’an Symphony Orchestra. Operatically, he enjoys a close relationship with London’s Opera Holland Park and companies including Opera Queensland, Opera Australia and Scottish Opera. In early 2023, he was appointed Music Director of the Hawai’i Symphony Orchestra.
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The only Australian to win the ‘APRA Art Music Award for Excellence by an Individual’ three times, Claire leaps between her role as Artistic Director of Ensemble Offspring and performances with all of the Australian and New Zealand orchestras plus numerous European orchestras. Read more.
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The Australian-American pianist Edward Neeman has performed across five continents. Critics have lauded him as a ‘true artist’ with ‘an excellent technique’ who ‘isn’t afraid to put a distinctive stamp on whatever he touches, without resorting to mannerism.’
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One of Australia’s leading violinists, Kirsten Williams has performed widely as a soloist, recitalist and chamber musician, in concert and on ABC radio. In 2019, she was appointed Concertmaster of the Canberra Symphony Orchestra.
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Two ghosts pass each other in a deserted park in Paul Verlaine’s melancholy poem ‘Colloque sentimental’ (Sentimental Conversation). One repeatedly prompts the other to remember their past love, but the second ghost is unable – or unwilling – to remember and speaks only of despair.
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French composer Claude Debussy was just beginning to find his musical voice when he penned the six settings of poems by Paul Verlaine that would come to be the Ariettes oubliées or ‘Forgotten Songs’.
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Lush, undulating piano introduces the main theme of Fauré’s Violin Sonata No. 1 in A major, Op. 13, before the violin begins its climbing melody over the top. Read more.