Canberra Symphony Orchestra Magazine

Meet Justin Lingard, Principal Trumpet of the Canberra Symphony Orchestra.

It’s a testament to the power of Bach’s music that this piece has been heard at weddings, in television advertisements, and in films and remains as beloved as ever in the concert hall.

Crespo drew on musical styles from baroque music to jazz and folk music as well as South American popular music and African American spirituals.

With its brooding fanfare of an opening and escalating dance-like energy, Franz Liszt’s Hungarian Rhapsody No. 2 is brilliantly suited to brass ensemble.

Bernstein fuses elements of jazz, Latin American music, 12-tone composition, popular music and European symphonic music.

Hugh Robertson dispels the myth of the lone composer-genius in conversation with international composer Leah Curtis (a Canberra export) and Connor D’Netto, whose influences span classical, opera, electronic and pop sounds.

Markiyan Melnychenko reflects on the nuances of Sibelius’ D minor violin concerto and his own musical journey in conversation with Jessica Cottis.

“I had in my mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios…”

PARTNER FEATURE / ActewAGL is a key supporter of CSO community initiatives that tap into the therapeutic benefits of music.

Written between the second and third symphonies, the Violin Concerto demonstrates just how successfully Sibelius managed to adapt the virtuoso vehicle to his own expressive needs.