CSO 2022

Hugh Robertson dispels the myth of the lone composer-genius in conversation with international composer Leah Curtis (a Canberra export) and Connor D’Netto, whose influences span classical, opera, electronic and pop sounds.

Markiyan Melnychenko reflects on the nuances of Sibelius’ D minor violin concerto and his own musical journey in conversation with Jessica Cottis.

Acclaimed Australian pianist Kristian Chong shares insights into his musical journey ahead of his return to the Llewellyn Hall mainstage.

A proud Murrawarri and Filipino rapper, drummer and composer, Rhyan Clapham isn’t afraid to push creative boundaries and draw together diverse influences, from classical to hip hop.

The Canberra Symphony Orchestra’s (CSO) Chamber Ensemble returns to the National Museum of Australia on 28 July for Collective Memory, an incisive program of contemporary classical music exploring history, memory and power.

One of Australia’s leading countertenors, Tobias Cole is a mainstay of the Canberra arts community and a passionate advocate for choral music.

Guest artist Courtenay Cleary describes Margaret Sutherland’s Violin Concerto as a ‘hidden gem…intense, lush and whimsical.’

“If one of the main reasons we listen to music is to be moved on some level, and we know something about the composer’s life, we will inevitably hear elements of it in their music, and this enriches our listening experience.”

PARTNER FEATURE / In early 2020, the Canberra Symphony Orchestra (CSO) moved into new offices at 1 Farrell Place, overlooking Llewellyn Hall. To celebrate the new space, the CSO commissioned a reception desk through a project partnership with the UC Faculty of Arts & Design, designed and fabricated by the technical staff of Workshop7.