“I have always been drawn to the intimate and vulnerable nature of chamber works, so this collection is an ode to the introverts out there. These smaller-scale works and soaring lines offer glimpses into sound capsules of different worlds – I hope you’ll find moments of incredibly moving depth and stillness.”
Tag:
Australian music
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“In 2022, we continue to develop and shape the rich canon of Australian music. We present no fewer than 20 Australian works across our season, including composers Richard Meale, Margaret Sutherland, Deborah Cheetham and Malcolm Williamson – and a bold new composition for the mainstage by Leah Curtis.” – Jessica Cottis, Chief Conductor and Artistic Director
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The mainstage is our epicentre, where a hundred voices move as one to delight, inspire, soothe and uplift. Join us with open hearts for the big human stories: revolution, loss, redemption and connection.
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“My grandparents lived with permits and curfews for decades under the tyranny of the Aboriginal Protection Board…I wrote an opera about it, but it was not until I experienced a taste of the deprivation they lived with that I truly understood. All I can do is respond in music.” – Deborah Cheetham AO, composer
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Kate Moore is an internationally acclaimed composer. Her works are performed by among others Asko|Schönberg, Bang on a Can, Icebreker, Slagwerk Den Haag, Ensemble Offspring, The Australian String Quartet and The Netherlands Radio Philharmonic Orchestra and Groot Omroepkoor.
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Australian composer Holly Harrison’s genre-defying “Fizzin’ Fury” is inspired by musical genres associated with moshing and upbeat movement. The fury side embraces the heaviness of doom metal, punk, and progressive rock, while the fizz captures the energy of electronic dance music, disco, and dixieland.
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“Music and imagination go hand in hand, be it composing, performing or conducting.” Jessica Cottis discusses the compositional process with Elena Kats-Chernin.
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Jessica Cottis asks Australian composer Holly Harrison about inspiration and limitation of ‘genre’ and humour in the compositional process.
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Ahead of the Australian premiere of his work LOGOS, Jessica asks composer Benjamin de Murashkin about improvisation in classical music and the role of the arts in science.
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Written for 5-string electric cello and effects, SpaceWarp conjures up space-inspired and intergalactic imagery. The sound of the cello is quite literally ‘warped’ by effects, particularly delay, creating a kind of wrinkle in time and space.