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The Quintet is suffused with what Edward Said, discussing late style in general, described as a ‘mature subjectivity, stripped of hubris and pomposity, unashamed either of its fallibility or of the modest assurance it has gained as a result of age,’ writes Gordon Kerry.

“The emotional aftermath of last summer’s devastating bushfires is still within the community. This piece closes in reflection, changing tone as the thought of summer returning brings fears of another catastrophic bushfire season.”