“It seems to me that music must first of all stir the heart.” — CPE Bach
flute
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‘It’s frightfully melancholy,’ Debussy wrote to Godet. ‘I don’t know if one should laugh at it or cry? Perhaps both?’
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A fanfare-like flute melody announces Ludwig van Beethoven’s cheery Opus 25 Serenade, violin and viola soon responding in kind.
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The mainstage is our epicentre, where a hundred voices move as one to delight, inspire, soothe and uplift. Join us with open hearts for the big human stories: revolution, loss, redemption and connection.
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“This flute solo was written in contemplation of that alignment while under stage 4 curfew restrictions in Melbourne. We can’t walk out the front gate after 8pm – but we can still look up into the evening sky and marvel at the Universe.” – Stuart Greenbaum, composer
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LLEWELLYN THREE TRANSFORMATIONS Wednesday 3 / Thursday 4 November 2021, 7.30pm, Llewellyn Hall, ANU Simon…
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Kiri Sollis, CSO Piccolo: “The musicians I most respect and enjoy listening to have skills that allow them to transcend their instrument and genre to articulate something of themselves in what they are playing.”