Of Cantilena Pacifica, Richard Meale wrote, “…it became clear that the work could not be based on any artifice. Its existence had to lie in its emotional truth.”
richard meale
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Richard Meale’s Coruscations is ‘…dazzling and remarkably lyrical music.’
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“Richard Meale’s ‘Coruscations’ is a cult favourite among Australian pianists. I’ve lost count of how many effusive conversations I’ve had with fellow Meale enthusiasts about this scintillating and elusive tour de force.”
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“In 2022, we continue to develop and shape the rich canon of Australian music. We present no fewer than 20 Australian works across our season, including composers Richard Meale, Margaret Sutherland, Deborah Cheetham and Malcolm Williamson – and a bold new composition for the mainstage by Leah Curtis.” – Jessica Cottis, Chief Conductor and Artistic Director
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The mainstage is our epicentre, where a hundred voices move as one to delight, inspire, soothe and uplift. Join us with open hearts for the big human stories: revolution, loss, redemption and connection.
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“Viridian is the work in which Meale decisively turned his back on modernism,” writes James Koehne.
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The German word sehnsucht describes an intense, often bittersweet longing. This aching delusion, somewhere between tragedy and promise, has inspired countless poets, artists and musicians, among them Goethe, Schubert, Wagner and Strauss.
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“Marked with the words ‘Slow. Calm. Deeply felt,’ the Adagio of Mahler’s third symphony seems to exist outside of any conscious acknowledgement of temporality. Starting with one of the most wondrous of prayers, it’s a tour de force of tectonically slow and sustained playing from start to finish. So intense it almost physically hurts, until the brass emerge with their glorious and noble chorale.”